Tampa Red

Tampa Red was a triple threat. He played bottleneck guitar, piano, and as heard on these recordings, the kazoo. He also wrote some great songs, many of them of the double entendre variety, including "Let Me Pet Your Poodle" and "Let's Get Drunk and Truck." Today's selection, from 1949, "When Thing's Go Wrong With You" will be familiar to you as the Elmore James number: "It Hurts Me Too," from Elmore's last session with Bobby Robinson in New York City a few months before his death in 1963. It was released posthumously and was a hit on the R&B Charts in 1965.














Download: "When Things Go Wrong With You" mp3














Download: "Come On, If You're Coming" mp3

Download: Elmore James "It Hurts Me Too" mp3

******************** Bonus **********************

Two of these three Greenwich Village folkies recorded
their own versions of "It Hurts Me Too" a few years later.

Download: Bob Dylan "It Hurts Me Too" mp3

Download: Karen Dalton: "It Hurts Me Too" mp3





















Photograph: Bob Dylan, Karen Dalton, and Fred Neil at the Cafe Wha? 1961
© Fred McDarrah

Buy at Amazon or at your local independently owned record store:
Tampa Red, Elmore James, Bob Dylan, and Karen Dalton.

Slim Gaillard

For Phil Schaap:

Once upon a time there were hipsters. I'm not talking about the people who moved to and ruined your neighborhood and are killing you softly with their ironic bad taste. Hipsters had good taste and were actually hip. They knew about and experienced things that you only read about in books. Slim Gaillard was a hipster of the highest order. Jack Kerouac (another hipster) knew this and wrote books about it. In On The Road, Sal and Dean go to see Slim play in San Francisco and have a drink with him after his set. "Bourbon-orooni...thank-you-ovauti..." Slim said. Like Lester Young (another hipster), Slim spoke his own language. He called it Vout. It was mostly gibberish be-bop jive, but there was a method to his madness. He was funny as hell and he swung. Slim claimed to be half Greek and from Cuba. In fact, he was half German and from Detroit. When I was kid, we sang a nursery-rhyme called, "Down by the Station," I found out later that Slim wrote it. It's featured below in today's selections, as are collaborations with Charlie Parker and Dizzy Gillespie, Cold War musings about the apocalypse, and "Yep-Roc-Heresay," where he recites the menu from an Armenian restaurant.

So have "a double order of reeti-footees with a little hot sauce on it...that'll just about fix it."














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Slim Gaillard and Van Morrison on YouTube: Here

More about Slim Gaillard: Here

Buy Slim Gaillard music at Amazon
or at your local independent record store

Porter Wagoner

Before the Nudie suits and the big hair; before Dolly and Norma Jean; before The Grand Ol' Opry and The Porter Wagoner Show; before "Rubber Room," "The Carroll County Accident," and "The Cold Hard Facts of Life," there was Porter Wagoner the hillbilly singer from the Missouri Ozarks. This record was his first number one hit in 1954.














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Download: GONE mp3

************ Bonus ***************

The birth of cosmic country music.
GONE by The Byrds
GONE by The International Submarine Band

Buy at Amazon or at your local independent record store:
Porter Wagoner, The Byrds, The International Submarine Band.

Hank Williams B-sides + Luke The Drifter

I can clearly remember the first time I heard Hank Williams. I was probably 9 or 10 and in my father's car listening to WIL in St. Louis. Country radio was still listenable in those days. It was the mid-70's. In between Donna Fargo and Glen Campbell, they played an oldie. I think it was "Why Don't You Love Me" or maybe "Your Cheatin' Heart." Anyway, it was so real and so great, I was transfixed. I stored that information away, and five or six years later bought Hank's 40 Greatest Hits and that was what I knew of him for quite a while. Today's selections are B-Sides of some of Hank's MGM singles, none of which are on that 40 Greatest Hits record, which if that's all he did in his short life, it would have been remarkable. But as I found out later, that's just the tip of the iceberg. In addition we get a Luke The Drifter single, which was Hank's alter-ego for his spoken word recordings.














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Buy: Hank Williams and Luke The Drifter at Amazon
or at your local independent record store

Jerry McCain

Jerry McCain, AKA "Boogie" McCain made his first recordings on Trumpet Records before moving over to Excello, where he released this as his first single. "That's What They Want" takes it's cue from Bo Diddley's "I'm A Man", but it's money that he's talking about. By the time we get to the b-side, he's demonstrating his point and out cavorting and "Courtin' In A Cadillac."














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Download: GONE mp3

**** BONUS ****

Upon further listening, it's clear that "That's What They Want" is what you would call an answer song to the Bo Diddley track mentioned above, so without further ado here's "I'm A Man."



Download: GONE mp3

And as requested by the good folks at Airform Archives
Muddy Waters' take: GONE mp3

Buy at Amazon or at your local independent record store

Gene Vincent

In 1956, looking for competition to RCA's recent signing of Elvis, Capitol Records signed Gene Vincent and released this as his first single. While Elvis was seen as a threat to the middle class American values, Capitol raised the bar with Gene Vincent and the Blue Caps who exuded a more menacing hillbilly degeneracy and made Elvis look tame by comparison. Vincent was allegedly thrown in jail for performing "Woman Love" on charges of public obscenity. The b-side, "Be-Bop-A-Lula" is one of the greatest songs of the rock 'n roll era. Check out the great Cliff Gallup on guitar.














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Download: GONE mp3


**** Bonus ****

Gene Vincent on YouTube: HERE

And a loving tribute to GV by one of rock's greatest oddballs via YouTube: HERE

Buy at Amazon or at your local independent record store

The Singer Not The Song

Alex Chilton photograph: New York, 1985 © Ted Barron

In 1978, Alex Chilton entered Phillips Recording Service in Memphis Tennessee, with Jim Dickinson, Sid Selvidge, Lee Baker, Richard Rosebrough, and few other friends to record his first post-Big Star LP, Like Flies On Sherbert. The results of these sessions were mixed over the following year and released on the small Peabody label in a pressing of 500 copies. The record is made up of mostly covers, including these two singles below. It's a great and messy rock 'n roll record with an eclectic collection of songs ranging from the Carter Family to K.C. and the Sunshine Band. It's also a difficult record that some people just don't get. It's long been one of my favorites. Like on Big Star's 3rd, which was still unreleased at the time, rather than strive for perfection, Dickinson's production stresses the mistakes, although it is perfect in it's own unorthodox way. It's also a document of a time and place, that being midtown Memphis, late 1970's. The band sounds fucked-up because they are fucked-up. Still, that's only half the point, or not the point at all. It's complicated. Chilton had been burned by the record business not once, but twice. He was a jaded and slightly burnt-out veteran and only in his late 20's. I won't attempt to put my finger on what it is that is so compelling about it, as much better writers have done so more eloquently than I could do. I will however suggest reading It Came From Memphis, by Robert Gordon, which ties together the disparate elements of the music and culture of Memphis into what reads like a secret history of rock 'n roll. So here it is, some of the source material for Chilton's overlooked and misunderstood classic. Hope you like it, I do.




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Download: Alex Chilton

GONE mp3
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Buy: The Bell Notes, Troy Shondell, Alex Chilton.

Sonny Boy Williamson

When it comes to post-war delta blues, no one was more original than Sonny Boy Williamson. You could make a case for Elmore James, Muddy Waters or Howlin' Wolf, but Sonny Boy was not only a great singer and instrumentalist (blues-harp), no one else wrote lyrics like:

Been so long until I just can't sleep at night.
I could eat my breakfast in the morning,
and my teeth and tongue begin to fight.

This verse followed by a highly expressive harmonica solo, where he's actually using his teeth and tongue to play it. These Trumpet sides are as good as anything I know of. The band sounds half-drunk yet totally lucid. Elmore James is on guitar on at least some of these and Leonard Ware plays some great swinging upright basslines.

Dig it.















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Buy these sides at your local independent record dealer or at Amazon

Smiley Lewis

A few weeks ago, I posted a couple of rockin' sides by Fats Domino, and was reminded of Smiley Lewis by a cat named Chedwick, over at Tangled Up In L' Heure Bleue, where there's something happening- but I don't know what it is. Sadly, I don't have Smiley's version of Blue Monday, but I do have this to offer, which is in my opinion his best single. From 1955, his biggest hit, with Huey Smith on the piano. Ched, here you go.














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************** Bonus ***************

Lazy Lester: GONE mp3
Dave Edmunds: GONE mp3


Buy at Amazon: Smiley Lewis, Lazy Lester, Dave Edmunds.

Wee Willie Wayne

Photograph: © Robert Frank, New Orleans, 1955.

I couldn't find any actual photographs of James "Wee Willie" Wayne, so instead you are looking at a fine and iconic image image by Robert Frank, made at about the same time and place as this Imperial recording. Not much information on him either. He's originally from Texas, recorded a handful of sides for a handful of labels, and among those are two very influential recordings of New Orleans Rhythm and Blues: "Travelin' Mood" and "Junco Partner." There's a weird drum part on "Travelin' Mood," that almost sounds like a crack in the shellac- it is not.














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*** Bonus ***

More versions at THIS Post.

Buy these recordings and more HERE

Two-Faced Preacher

Well, It's a story as old as the hills. Or at least as old as the Bible. The wolf in sheep's clothing. The false prophet. The devil in disguise. Okay, you get the picture. Karl and Harty sing about " a preacher with a cane and a long-tailed coat, he does all his preachin' with his eye on the women-folk." He then proceeds to hustle, get drunk, steal, and carry on with Brother Jackson's wife. Enjoy.















Download: GONE mp3

Buy: Karl and Harty at Venerable Music
Night of the Hunter at IMDB

Fever and Spasms at the Flu

I've been a little under the weather the last few days.
I think I'll just let Little Willie John explain...














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and from our patron saint of
the boogie woogie flu: GONE

Buy at Amazon: Little Willie John and Huey "Piano" Smith

Louis Jordan

It's time to pay our respect to Louis Jordan. This record is uncharacteristic of his sound. No jump blues, but it's a swinging one-two punch nonetheless. The A-side, the standard "Paris Blues," is a lovely ballad with a sweet sax solo by Jordan. I'll send this out to our readers in France. In case you don't know, Paris in the springtime is cold and rainy. The B-Side is a mambo of the New Orleans classic. I first heard it as a slightly enlightened, yet ignorant teenager by another group of degenerate English record collectors. This version is smokin'. Dig the marimba and have a good weekend.














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*** Special Bonus ***

The Clash"Junco Partner" GONE
Professor Longhair"Junco Partner" GONE
Dr. John"Junko Partner" GONE

***Update 3-18 Thanks to Nick Hill***
Holy Modal Rounders "Junko Partner" GONE

*** Update 3-20 ***
Thanks to ZubZub over at Magic of Juju :
The late great Freddy Fender complete with
a shout out to "Malcolm" Rebennack...
"Junco Partner" GONE
Buy these records at Amazon